GROUP 06 - Music Video 2008/9: Analysis of Professional Music video number 2

Friday, 3 October 2008

Analysis of Professional Music video number 2

Watched a professional music video (James Blunt - Carry you home)
The song is about a soldier travelling to his dead friends loved one with a possesion he had on him when he died. Its about carrying a part of the soldier who was killed in action back home t where he belonged.
It differs from the other music video I analysed by Ne-yo as this James Blunt video is more storyline based rather than effect and dance based. It follows the story of a couple separated by the man going off to war and fighting, leaving the woman at home alone and worried.
The video opens with a pretty image of the sea, and a helicopter view moving towards the cliff tops. The water is restless and fierce, waves splashing everywhere, which in a way relates to what the husband is doing in his soldier role, whilst his wife is safe on the rocks, helpless, and not dragged down into the fighting. The coloring of the sea is black and white which is quite dull so from the beginning the viewer is warned that this is not a bright and cheerful story. Its a sad and dark video full of sorrow and loss. Even the cloud cover is dark threatening rain any second which could link to the woman's emotions in the video.
As the image changes from the sea to James Blunt in the train there is a slight overlap of a forest (where the soldiers are fighting) this suggests there is something on his mind. James Blunt begins singing on a train looking out of the window as if he has a lot on his mind and he is eager to get somewhere to get something over and done with. Worried perhaps and a bit miserable. The shot type is close up which gives a better personal feel to it and helps the audience realise that they have to focus on James Blunt and perhaps his emotions as there is no smiling taking place. The coloring remains dark shades of black and white throughout to help maintain the gloomy feel to the video. The video also includes the lonely woman waking in her bed alone and lying on her side awake obviously thinking. A medium shot is used here to show how small she is in comparison to her big empty bed. From the very start the audience is taught to sympathize with this fragile character.
A low angled shot is also used to show the empty grounds of the woman's house in the middle of nowhere, in the cold and windy months of autumn or winter. The barb wired fencing perhaps relates to the war the man is fighting. Everything is still which might represent a normal morning.
Quite a confusing shot of a train door opening is used. The camera is close up with half of the view on the train and half of the outside, I only figured out what it was when James Blunt walks out. The shot type is quite surreal and confusing but it soon sorts itself out. It suggests that he is on a journey and going somewhere as we are following his course. The bright lights in the distance are blurred so that the viewer focuses on the image of Blunt and the side of the train.
Close ups are shot on the lonely women showing her looking sad and upset still lying in bed, suggesting she doesn't want to get out as she does not see the point in doing so.
I especially liked the image when Blunt is standing on the platform working out which way to go and the train moves off behind him, creating a contrast of movement which looks really effective.
Keeping with the idea of Blunt on a mission/journey we follow him walking down streets with his bag and a sorry look on his face, and watch him have a pint in a pub to brace himself for something.
Images of a dark, mysterious, dangerous forest are included. The camera pans a long little way whilst Blunt finds a car to get a lift in and the woman brushes her hair and gets ready for her day. Lots of cross cutting is used to help show the viewer of the things that are happening at the same time and what already happened. Little snippets are included so as not to confuse.
The forest images of the soldiers walking slowly with their guns at the ready towards the camera is quite a threatening look. It helps the audience piece together the women with the war, and the possibility that Blunt is remembering what he saw.
Blunt is holding a picture and necklace in his hand which relates to memories of someone he lost, a friend perhaps.
When the music changes towards the end, turning a bit harder, the focus switches to the soldiers running, suggesting a problem or running away from something or that they have found something serious. When the music calms it slows the image cutting, The harder music had a lot more clips fitted in with choppy, sharp changes, whereas when the music slows it focuses on the women walking out on the cliff top outside in the quiet space and howling wind.
When Blunt enters the house a window point of view shot is used to see what he is looking at. It helps the audience understand what he is thinking.
A flash light is used to reveal a dead soldier with the necklace and photo round his neck. This photo and necklace are given by Blunt to the lonely women who is now standing on the cliff top. A close up is used to make the passing of the necklace significant.
Blunt walks away, without saying anything. This shows no relationship between the two, and perhaps that he could not say anything as it would be too hard.
There is a pan out near the end of the women falling and getting upset and Blunt walking away which gives the feeling of the lonliness of the women.


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